Ringgold's imaginative practice was to a great degree wide and various, and included media from painting to quilts, from models and execution workmanship to youngsters' books. She was an instructor who educated in the New York city Public educational system and on the school level. In 1973, she quit showing government funded school to give herself to making workmanship all day.
Her address issues of sexual orientation and prejudice in her work are by utilizing sharp analysis and textures.
